Instagram’s recent update has shifted the algorithm to push for more engagement with branded content and online shopping. How will these changes affect users interactions with the app, Arielle Kirven ’21 answers this week.

For us, “Breaking Bad” wasn’t just a source of great entertainment, it was our community as well.

Spotify launched its new “Discovery Mode” program, which will allow artists to receive algorithmic boosts in exchange for reduced royalty payments. The new policy is raising concerns around fair compensation for musicians and artists, Noah John ‘21 writes this week.

By the time it reaches our screens on Saturday night (or Sunday morning, if you’re me), “SNL’s” richest jabs have been made 100 times over.

Despite the unfortunate closing of Broadway on March 12, Eren Levine ’24 describes the staying power of “Six,” a pop musical about the wives of Henry VIII.

I wonder if “The Boys” will mark a new era of counterculture television, where the counterculture is created by (and makes profits for) the very same organizations which it exists to criticize, Thomas Brodey ’22 asks.

A game of lies and quick-thinking, the hit new social deduction game “Among Us” has finally made its way over to the students of Amherst College.

Perfect for the autumn season, Fleet Foxes’ ‘Shore’ is a delightfully soothing and intimate fourth album that showcases the indie folk band’s ability to bring peace in times of chaos.

While each guest individually provides an insightful perspective, the narrative in “Mindnight Gospel” seems to lack any grounding in the social realities of our time, Manni Spicer Saavedra ’23 argues.

Within the last few years, many popular, age-old sitcoms have given rise to a number of spin-offs. Eren Levine ’24 works to uncover the value of these reboots and investigates how successful these spin-offs really are.